Process Sound...
In honor of Kate Radford and those who knew her, this project is a journey into improvised sound.
Using Kate’s own gear—loopers, microphones, mixers—I explore intuition, repetition, and presence in music.
Exploring the Essence of Pure Improvisation in Sound
11. November 24, 2023 - Tarnów
Night Soundtrack
Late that night I was improvising when something unexpected began to happen. I didn’t realise the recorder was already on, quietly listening with me. [...]
After work I sat down with the instruments, following small sounds and fragments of melody. They appeared, disappeared, then returned in another shape.
When I checked the recording, a calm motif was there, as if it had been waiting.
A strange, almost voice-like tone kept calling for attention, so I added a few layers — slightly uneven, but true to that moment.
Some gentle dissonance stayed, like a shadow.
12. November 30, 2023 - Tarnów
Nowhere
Nowhere, but so much here. [...]
After days of sanding, scrubbing, gluing and painting somewhere else, I finally returned here to make a little sound. It was late and the walls are thin, so I stayed with quiet live instruments.
Inside the headphones, though, it was another world — beats, layers, and sound at a natural listening level, safely inside the DAW.
So this became a quiet outside / loud inside kind of sketch. We’ll see where it leads.
Life runs in parallel — more renovation work, more real tools, more dust.
Instruments (not to be confused with construction equipment):
– Travel African kora (not a saw)
– Keyboard samples (dust-free)
– RC-505 looper (repeating softly outside, louder inside)
– My MacBook Pro (paint-free for now)
13. December 7, 2023 - Wrocław
It's Just A Road
After a longer pause, I returned to improvising — yesterday and today. The hands were slower, the listening softer, but the sound slowly opened again. [...]
I began with simple loops on the travel kora, then added bamboo flute as a gentle way back into playing.
I’m moving between places for a while, balancing everyday work and music. The practice continues quietly alongside it.
For now, it’s about keeping the connection alive — returning to the instruments when time allows.
Instruments present in this exploration:
Travel African kora
Transverse bamboo flute
RC-505 looper
MacBook Pro
14. December 10, 2023 - Wrocław
Longing
Listening again to the loops I recently recorded, I notice new details each time. I return to them, reshaping the sound and adding a soft hi-hat pulse. [...]
Once the loop is breathing on its own, I begin improvising with it — letting it suggest the direction.
Travel, work, and everyday tasks don’t sit outside the practice. They shape its rhythm, sometimes slowing it, sometimes opening new spaces for listening.
The process continues inside these movements.
Instruments present in this exploration:
– Travel African kora
– Transverse bamboo flute
– Bulgarian kaval
– RC-505 looper
15. January 1, 2024 - Tarnów
Breaking
At the turn of the year, after a longer pause, I returned to making sound. Work and daily life filled most of the time, but the need for music was still there. [...]
The room is small — just a simple bedroom space — not really made for music. But at some point I stopped waiting for better conditions and began working with what was available.
I played, recorded, and stayed with the sounds that appeared. Not chasing perfection, just keeping the connection alive.
Instruments present in this exploration:
Transverse bamboo flute
Bulgarian kaval
Lithuanian birbyne
RC-505 looper
Ableton Live
16.1. January 4, 2024 - Tarnów
Ups & Downs
Instant Composition — a piece shaped by the mood of the day and the physical state that came with my weekly medicine. [...]
The body was not in its usual balance, and the music followed that condition. I listened to what was there instead of pushing against it.
During this playing, I noticed how the sound gently eased some of the discomfort connected to my IgG4-related condition and treatment. Not as a cure, simply as presence.
The material grew longer than expected and naturally divided into two parts.
The second part is titled (16.2) Not Know.
16.2. January 7, 2024 - Tarnów
Not Know
This Instant Composition is part of my Ups & Downs. I recorded it in the moment on January 4, 2024, then later came back to it and made it shorter. [...]
Each time I returned to it, I heard what could stay and what could go. Slowly the piece became simpler.
That time wasn’t easy physically. My weekly treatment affects how I feel, and the music followed that state.
The longer version naturally split into parts. This is one of them inside Ups & Downs.
" ". January 8, 2024 - Tarnów
Musicality of technical equipment.
While working on a construction site, I came across a loose pipe and wondered how it might sound. [...]
I tapped it gently and listened. The tone was simple but resonant, carrying its own character.
For a moment, the work paused and the place became an instrument.
I kept the sound in memory for future listening.
17. January 14, 2024 - Wrocław
Inner Energy
I hope these sounds offer a quiet moment for whoever listens — a small pause from the everyday noise. [...]
During my travels, I felt a simple need to return to sound. I came across a Romanian shepherd’s flute and started playing, just to see where it would lead.
I used what I had with me — a small keyboard and a looper — building a soft background for the flute.
Nothing was planned. The music appeared on its own, calm and unhurried.
18. January 21, 2024 - Tarnów
Night Desert Express
Back in Tarnów, I spent some time listening to Arabic rhythms and scales. After a few days with these sounds, I felt drawn to play with them. [...]
I couldn’t record my own drums in that space — they carry too far — so I worked with a simple rhythm loop I found online.
From there I played and improvised, letting the melodies find their place around the pulse.
Kate Radford was “multi-award winning artist, poet, and performer. Rooted in using words and sounds as a seismic catalyst for shifting cultural narratives that have prophesied women’s lives, and transferring psychic shadows into light. Influences include mythology, philosophy on literature and word, somatic practices, ritual practice and land practice in combination with technology and contemporary art.”
She took her own life in 2021. She was only 32 years old.
